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Written in April 2025, Boston.
I was occupied with a heavy workload this semester and barely had time to go out. Most of the time, I sat alone on the wooden chair in my dorm, leaning against the window, gazing at the world outside through the corner of the pane. Winter in Boston sees frequent snow. On those days of heavy snowfall, the world between heaven and earth was blanketed in white. Occasionally, a vehicle would drive by on the street, its exhaust rising in the cold air. Pedestrians were few and far between, walking in haste. While depicting the snowy scenery through music, I wanted even more to convey the sense of loneliness upon first arriving in a foreign land, and the poignant beauty of love.
In my previous works, the climax was usually created through the collision of different materials introduced earlier or complex textures. However, in this piece, I chose to do the opposite—introducing collisions and counterpoints between various materials before the climax. The actual climax (2:22) strips away all existing materials and the most representative rhythmic textures, building tension solely through long notes and simple upward scales.
When writing this section, a scene from the first half of Makoto Shinkai's animation 5 Centimeters per Second came to my mind: after a blizzard, the male and female protagonists meet under a cherry blossom tree. As a gust of wind blows, countless cherry blossoms slowly fall, enveloping them from above. Therefore, I designed a brief pause followed by a fierce unfolding, attempting to evoke that sensation of a fleeting moment of falling.
Premiered on April 17, 2025, at the New England Conservatory, conducted by Zibo Yuan.
Re-recorded in June 2025 at JZTC Studio, Beijing.
创作于2025年4月,波士顿。
这学期我工作繁忙,几乎没有时间外出。大多数时候,我都是靠着窗,独自坐在宿舍的木椅上,透过窗角望向窗外的世界。波士顿的冬天,经常下雪。那是一个个大雪纷飞的日子,天地间尽被白色覆盖。街上偶有车辆驶过,尾气在寒冷中升腾。行人寥寥,步履匆匆。通过音乐描绘雪景的同时,我更想传达的是初到异国他乡时,那份孤独感,与爱情的凄美。
在我以往的作品中,高潮段通常通过此前出现过的不同材料的碰撞、复杂的织体等手法来制造张力。而在这部作品中,我选择反其道而行之——在高潮之前便引入各种材料之间的碰撞与对位,而真正的高潮(2:22)却去除了所有已有的材料与最具代表性的节奏织体,仅通过长音和音阶的简单上行,来建立张力。
写到这里时,我脑海中浮现的是新海诚动画《秒速五厘米》前半段的一个场景:暴雪过后,男女主在樱花树下相见,随着一阵风吹过,无数樱花缓缓飘落,笼罩在他们的上空。因此,我设计了一个短暂的停顿,再猛烈展开,试图带来那一瞬飘落的感觉。
首演于2025年4月17日,新英格兰音乐学院,指挥:袁子博。
于2025年6月于北京九紫天诚录音棚重新录制。